Property of Sekhmet

When I saw the spectacular conjunction between Venus and Jupiter currently in our skies, my first thought was, "She's probably threatening to beat him up." I was thinking of Anat's threat to El ("I will make your beard run with blood") in the stories of the hero Aqhat and of Baal's palace, and the parallels between that bloodthirsty Ugaritic goddess, the Mesopotamian Ishtar, and the Greek Aphrodite. But perhaps Athena is a closer analogue for Anat, as Bruce Louden argues in The Iliad: Structure, Myth, and Meaning.

Although Athena is often "calm and thoughtful", she also has angry and martial episodes. "Many of Athena's more striking features in Homeric epic - her use of deception against mortals, resentment of Zeus, bloodthirstiness... - all have close equivalents in earlier depictions of Anat." (p 285) As well as the similarity in their names, both wield spears, both "have certain masculine tendencies, are closely involved with their fathers, and have no relation to their mothers." (p 247) Both confront their fathers to get their own way, Anat with a direct threat, Athena while gripped by "savage anger"; and both are summoned to their fathers by divine messengers. (p 249-250) Louden also draws parallels with Anat and Baal and Athena and Ares (p 252-7).

Anat and Athena both punish arrogant heroes who foolishly offend them (something they have in common with Ishtar). In Anat's case, it's Aqhat, whose bow she covets; he rejects her offer of riches or immortality, telling her that bows are not for girls and even describing to the goddess of war what materials are needed to make one. In Athena's case, Hektor, Paris, and Pandaros all fall victim to the cheeked goddess' wrath. In both instances, the goddess enlists the help of another warrior (Yatipan, Achilles, and Diomedes) to get her revenge.

Louden compares the linking of feasting and slaughter in the Odyssey (the gory massacre of the suitors, in which Athena is instrumental), and Anat's "bloodbath":

"She arranges chairs for the soldiery,
Arranges tables for the hosts,
Footstools for the heroes...
Knee-deep she gleans in warrior-blood,
Neck-deep in the gore of soldiers,
Until she is sated with fighting in the house,
With battling between the tables."

(This is the most straightforward explanation of that passage I've ever read: Anat isn't fighting actual furniture, nor turning tables and chairs into soldiers, but hosting a feast and then killing the participants!)

Though there's no mention of Anat's worship in the OT, she is mentioned in personal and place names; but Louden also argues that the depiction of Yahweh himself was influenced by her imagery and mythology. He remarks that "divine bloodthirstiness is a typical aspect of deity for the period", as are deception and cruelty; he gives some striking and disturbing Biblical examples, including images of sacrifice and cannibalism (which tie back in to the combination of feasting and killing). He also compares the herem of Yahweh - the mass killing of a city's whole population, with the implication of human sacrifice - with a word of the same root used in one text to describe Anat's warfare.

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Louden, Bruce. The Iliad: structure, myth, and meaning. Baltimore, Md, Johns Hopkins University Press, 2006.

Here's that cat / lioness dichotomy again, in a pair of proverbs from The Teaching of Ankhsheshonq:

"When a man smells of myrrh his wife is a cat before him."
"When a man is suffering his wife is a lioness before him."

I need to do some reading on Hathor this year, because of her close association with Sekhmet in the Destruction of Mankind, and also because she's associated with Tefnut in the Myth of the Eye of the Sun - there's that slippery interchangability between Egyptian deities, so several of them are "the Eye of Ra". (Hathor also flashes Ra in The Contendings of Horus and Seth and makes him laugh! Spot the parallel with Baubo in the story of Demeter's search for Persephone.)
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Houlihan, Patrick F. Wit and Humour in Ancient Egypt. Rubicon, London, 2001.