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I borrowed the above DVD from the library - it's available for purchase in the US from Insight Media. The filmmaker was permitted to video a number of commmunity Vodun ceremonies, and her narration explains the complex action.

What struck me was that if you don't know what's taking place, it looks like chaos: a large group of people dancing strangely, singing incomprehensibly, and waving objects around, apparently entirely at random. This is the popular view of a "voodoo" ceremony - basically, a wild, primitive orgy. But with the narrator's help, you realise that it's all actually extremely organised. A trained and respected leader (or leaders) is running the ritual, everyone knows their role, every dance move and song has a specific purpose and is part of a long-standing, well-known tradition. As an event rich with cultural tradition that involves the whole community, it is in fact the height of civilisation.
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A couple of notes from Sacred Possessions.

I'm really interested by the apparent anarchy of the Vodoun gods - there's a huge number of them, they don't have ranks, they can appear in "many emanations", they have many names, they're constantly being added or forgotten. (p 21) Similarly, one author describes Santería as "a chaotic and unstoppable amalgam" (p 97). This is apparently also true of the religion's African sources. (p 80)

In the Yoruba religion, an oricha is created "in a moment of passion preserved as legend" - a great emotional crisis which caused a "metamorphosis", bestowing on them their aché or power. For example, Oggún became an oricha when he realised he'd killed everyone in the city he'd founded in a moment of wrath. "What was material in them disappeared, burned by that passion, and only the aché remained - power in a state of pure energy." (p 82)

In Santería it's thought that although the one God of Christianity created the world, he then distributed His powers throughout the orichas so He wouldn't have to interfere in human affairs. (p 87)

The personalities of the Vodoun and Santería gods are so distinct, rich, and powerful!

__
Olmos, Margarite Fernández and Lizabeth Paravisini-Gebert (eds). Sacred Possessions: Vodou, Santería, Obeah, and the Caribbean. Rutgers, New Jersey, 1997.

Vodou

Nov. 4th, 2007 10:13 pm
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I'm just starting to read about Vodou and similar Caribbean religions. This is very different to my usual religious researches. I feel comfortable in studying, and worshipping, the gods of ancient Egypt and Mesopotamia; these cultures are ancestors of my own culture, and moreover, those cultures no longer survive. Vodou and related religions derive from an entirely different cultural background, are active and alive, and have an important political dimension. Plus, not only have they been appropriated by the dominant Western culture, they've been slandered by it. So, as interested as I am, there's no way I'm stealing bits of Vodou and incorporating them into my own faith or practice. Nor will I be able to study the religions without studying the history and politics of the Caribbean. (I'm also reading up on the Trickster; much of what I've said about Vodou also applies. I'm suddenly reading about living cultures which have been stolen from and misrepresented, often by my fellow Neo-Pagans.)

That said, I'm especially interested in the personalities of the lwa, or spirits, some of whom sound as though they may have distant parallels in the ancient gods I'm familiar with.

For my own reference and for anyone who's interested, I'll keep a little bibliography here.

Read more... )

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