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Hathor was a sky goddess - hence her name, "House of Horus". Watterson writes, "The Egyptians thought of her as a gigantic cow which straddled the earth, her legs marking the four cardinal points. Between her horns she carried the sun's disk; her belly was the sky, her hide and udders were the stars and planets." (p 113)
The Narmer Palette is the earliest known representation of Hathor, and was probably an offering for Hathor's shrine. Watterson suggests the part-human, part-bovine face, uniquely shown from the front, was originally the goddess' fetish, and becamne stylised as her Bat symbol - the sistrum, Hathor's sacred rattle, could take this shape. Her son Ihy holds one.
The Greeks equated Hathor with Aphrodite. She "was especially reversed by women." Wine and beer, and music and dance, were important in her rituals; "the king himself sang and danced before the goddess". (p 118) Along with Bes and Ta-weret, she was concerned with childbirth, and also suckled the king. The Seven Hathors, who foretold the fates of newborn children, appear in The Tale of the Two Brothers and The Doomed Prince.
In the afterlife, Hathor, "Lady of the Sycamore", lived in a sycamore tree, which provided protection, food, and drink to the deceased. During the 18th Dynasty, she was merged with another cow goddess, Mehet-weret, becoming the patroness of the Theban necropolis. She was the goddess of foreign lands, and was worshipped at a mine in Sinai as "The Lady of Turquoise".
Denderah, site of Hathor's most important temple, takes its name from the Egyptian Ta-neteret, "the goddess". Her statue went in procession each year for a sacred marriage to Horus of Edfu. She was identified with local goddess in many towns, for example with Mut at Thebes, and with Wadjet at Buto; she was so often identified with Isis that they'd basically fused by the Late Period.
The Narmer Palette is the earliest known representation of Hathor, and was probably an offering for Hathor's shrine. Watterson suggests the part-human, part-bovine face, uniquely shown from the front, was originally the goddess' fetish, and becamne stylised as her Bat symbol - the sistrum, Hathor's sacred rattle, could take this shape. Her son Ihy holds one.
The Greeks equated Hathor with Aphrodite. She "was especially reversed by women." Wine and beer, and music and dance, were important in her rituals; "the king himself sang and danced before the goddess". (p 118) Along with Bes and Ta-weret, she was concerned with childbirth, and also suckled the king. The Seven Hathors, who foretold the fates of newborn children, appear in The Tale of the Two Brothers and The Doomed Prince.
In the afterlife, Hathor, "Lady of the Sycamore", lived in a sycamore tree, which provided protection, food, and drink to the deceased. During the 18th Dynasty, she was merged with another cow goddess, Mehet-weret, becoming the patroness of the Theban necropolis. She was the goddess of foreign lands, and was worshipped at a mine in Sinai as "The Lady of Turquoise".
Denderah, site of Hathor's most important temple, takes its name from the Egyptian Ta-neteret, "the goddess". Her statue went in procession each year for a sacred marriage to Horus of Edfu. She was identified with local goddess in many towns, for example with Mut at Thebes, and with Wadjet at Buto; she was so often identified with Isis that they'd basically fused by the Late Period.