ikhet_sekhmet: (ankh-mi-re)
There are Amduat images over at my Tumblr, dwellerinthelibrary, which focusses on mythology, especially the irresistable visuals of Ancient Egypt. (I can see have a bit of tidying up work to do over there, though!)

The cosmic drama comes to its climax in the seventh hour, as Apophis tries to stop the sun-boat, preventing the sun-god's rebirth and "repeat[ing] the murder of Osiris". (And this battle takes place every night! The Egyptians lived with a constant threat the universe will come to its end. It's like growing up in the eighties.) Apophis dries up the water, and the barque can no longer be towed; it sails on by magical power, provided by Isis, Set (called "the eldest magician"), and the sun-god, who is protected by the Mehen-serpent, while the goddess Selkis puts Apophis in shackles and her assistants chop him to bits.

The sun barque still has a long way to go and a lot of work to do before dawn. The middle register of the eighth hour is another long scene of the barque being towed, including "the four rams of Tatenen, the god of the depths of the earth". Again the ram symbolizes the four ba-souls of Re, here identifying him with Tatenen. (Exactly which four gods those four ba-souls represent changes with the source, in typical Egyptian fashion.)

The upper and lower registers are each divided (by doors again called "knives") into five caverns. The hieroglyph for "cloth" appears repeatedly (often with someone sitting on it), with fresh clothing being provided for the afterlife and as part of the general business of rebirth. Osiris (also protected by the Mehen-serpent) sits in judgment on his foes, who are decapitated (by a cat-eared demon). The sun-god sends the stars "on their way, since their stable orbits are a sign of the continuous order of the cosmos".

This bit blows my mind. "The texts in the vaults describe how the Ba-souls of these beings respond to the generous promises of the Sungod. Human ears hear their jubilation as cries of animals and sounds of nature, like the humming of bees, banging on metal, the screeching of tomcats, the crying of birds, the roaring of bulls, etc. The Sungod, however, is able to recognize what their distorted voices are shouting."

The work of renewal continues in the ninth hour, with bread and beer provided to the dead by three "idols" sitting on what look like neb-baskets. The darkness is illuminated by twelve fire-breathing ureai. In the tenth hour ("With Deep Water and High Banks" – the barque is afloat again, at least part of the time), the solar eyes are restored; eight forms of Sekhmet stand before a seated Thoth, who holds the whole eye. Horus rescues the bodies of drowned people from decomposition (as Isis rescued the parts of Osiris' body from the Nile).

The leftmost figure of the eleventh hour is the "Time Lord" (well, the "Master of Time", with three faces: the sun disc in the middle, and two crowned heads looking left and right (ie backwards and forwards), representing the two Egyptian concepts of time, nḥḥ and dt. Next, Atum repeats the gesture made by Sokar back in the fifth hour, holding (lifting?) the wings of a serpent, with the paired eyes appearing on either side of him. The renewed sun-disc now appears in the prow of the barque; it's preceded by fire-breathing goddesses riding "double serpents", and by twelve gods carrying the Mehen-serpent. Isis and Nephthys, in the form of ureai, carry the red and white crowns.

Meanwhile, the condemned are punished once more, "at depths not visited by the Sungod… 'completely deep, completely dark, completely infinite'", in pits into which armed goddesses and the serpent "Who Burns Millions" spit fire. ("You have not come into being," declares Horus of the Netherworld, "you are upside down!" Take that!)

Finally we've reached the twelfth hour, where gods (including the sun-god) and the blessed dead walk through the body of the Mehen-serpent from tail to mouth, emerging rejuvenated. The sun-god has been reborn as Khepri, and Shu lifts him to the horizon. Osiris remains behind in the Duat - shown as a corpse lying against its curved wall. (Both authors remark that the helpful Mehen-serpent points in the direction as the barque, while Apophis points in the opposite direction. "Nevertheless, later Egyptian texts speculate about Apophis having not only an evil, but also a positive, regenerating aspect." – which makes me think of Set's dual role as Osiris' enemy, but Re's ally against Apophis.)

Hornung has briefly summarized the Amduat, pointing out a few key or interesting highlights, and I've summarized his summary! I'm struck, though, by how much internal logic there is, how much sense it all actually makes (even without the help of Abt's Jungian interpretation, which I've only glanced at). What's also striking is that the Egyptians expended so much thought on the details of what happened in the netherworld – the commands of the creator god were apparently enough to explain goings-on in the realm of the living. Or can we squint and see the complexities of the underworld renewal as a dark reflection of the constant processes of renewal in the natural world?

Thanks again for the loan, [livejournal.com profile] kylaw!

Theodor Abt and Erik Hornung. Knowledge for the Afterlife: The Egyptian Amduat – A Quest for Immortality. Living Human Heritage Publications, Zurich, 2003.
ikhet_sekhmet: (ankh-mi-re)
  • J. Gwyn Griffiths. [review of] Elkab I. Les monuments religieux a I'entrie de l'ouady Hellal by Phillipe Derchain. Journal of Egyptian Archaeology, Vol. 59 (Aug., 1973), pp. 257-259. http://www.jstor.org/stable/3856146

    "In this region the desert landscape confronts huge formations of rock, and Derchain believes that a ritual attested in reliefs and inscriptions is that of welcome to the goddess who returns from Nubia in the manner of Hathor-Tefnut. Thus the central scene in the Ramesside chapel (pl. 33), fragmentary though it is, shows an object (now missing) being offered to Re-Harakhty; it is being presented by Nekhbet, who is followed by Onuris and Thoth. Derchain... argues that the missing object is a wedjat-eye... he suggests also that the scene is unique in representing the return of the 'distant goddess' who is here embodied in Nekhbet." Griffiths agrees that the object is a wedjat-eye, but thinks it, and not Nekhbet, represents the stray Eye of Re.

    "Derchain's notes are always instructive, and among the points of mythological interest are the assimilation of Nephthys and Tefnut (p. 38), an association of Nephthys and Thoth (p. 41), the designation of Cleopatra III as 'strong bull, female Horus' (p. 49) [...] On p. 63 Derchain seems intrigued by a mention of Sothis in a context where Nesert, the uraeus, is identified with Bastet. There is a good deal of evidence for an association of Sothis and Bastet and the eye of Re".

    [See the first comment about that "association between Nephthys and Thoth".]

  • Cauville, Sylvie. Le panthéon d'Edfou à Dendera. BIFAO 88 (1988), p. 7-23

    This includes an illustration of a snake-headed Nephthys and a lion-headed Isis, winged and brandishing ostrich feathers. The inscription calls her "Isis who protects her son with her wings".

    Wish I could get a higher-quality picture than this:

    leontocephale isis

  • Kákosy, László and Ahmed M. Moussa. A Horus Stela with Meret Goddesses. Studien zur Altägyptischen Kultur, Bd. 25 (1998), pp. 143-159. http://www.jstor.org/stable/25152758

    This is about a stela from Thebes, from the first half of the first millennium BCE, held in the Museum of Seized Antiquities in Cairo. Unusually, even though it's got Horus on the crocodiles, it's got a prayer to Amun, traditional enemy of crocs, with some great lines: "Amun is the triumph. The name of Amun is more powerful than millions. More forceful is Amun-Re(?) than every amulet and your own eye." But of course what attracted my attention was this part of the spell: "Your mouths are sealed by Re, your gullets are blocked by Sakhmet. A voice of lamentation (is heard) from the temple of Neith, a loud wailing from the mouth of the Cat. The gods (say): 'what is it, what is it' ... Re, did you not hear the loud sound in the night on that bank of Nedit and the long silence among all the gods and all the goddesses... There is a voice of lamentation in the temple of Neith, a wailing, a wailing (in) the mouth of the Cat because of those (things) which Mag has committed." Mag or Mega is a crocodile, the son of Seth, often the target of spells like this. But who is the Cat?

    ETA: Links!

    I'm reverse-engineering Mesopotamian hit songs

    Maya Blue Paint Recipe Deciphered

    Scholars Race to Recover a Lost Kingdom on the Nile (Kush; June 19, 2007)

    6,000-Year-Old Temple with Possible Sacrificial Altars Discovered (Trypillian culture)

    Ancient 'Egyptian blue' pigment points to new telecommunications, security ink technology

    Unmasking the gods (28 February 2002; "the remains of a ritual costume worn by an Egyptian priest some 2,500 years ago")

    Tattoos: The Ancient and Mysterious History

    Massive 5,000-Year-Old Stone Monument Revealed in Israel

    Mysterious 'Spellbook' From Ancient Egypt Decoded

  • ikhet_sekhmet: (Angel of the Birds 2)
    From a review in BAOS 357 Feb 2010 of The Origins of Aphrodite by Stephanie Lynn Budin, a book upon which I must lay my grubby paws because of its examination of goddesses (Inanna/Ishtar, Ishara, Asherah, Astarte, Qudshu) and cults (in Ugarit, Alalakh, Megiddo, Beth Shan, Tel Mevorakh, Lachish, Egypt) which may have influenced A.
    • "sex goddess versus fertility/mother goddess"
    • Cults of A. found "throughout Greece, the Aegean islands, Egypt, Magna Graecia, and in the Black sea region."
    • "Aphrodite entered Greece via Crete from Cyprus", "imported into Cyprus through the Phoenician settlement of Kition" and "amalgamated with a native goddess worshipped at Amathus and Paphos"
    • Adonis was the consort of the Cypriot Aphrodite and was lost in A.'s "transition to the west"
    From "Gods as a Frame of Reference" by Gertie Englund:
    • Egyptian theologians "did not study and interpret a basic text but they kept on creating new texts" (p 8)
    • "Many of the endless number of gods appearing in Egyptian texts and iconography were never the object of a cult and knowledge about them probably never passed the gates of the temple... However, the lack of a cult does not mean that a god is a purely speculative philosophical creation. The popular god Bes did not have a cult and no temple was dedicated to him." (p 19)
    • "There are surprisingly few adjectives in the Egyptian language... description is given in the form of an expression of identity. What one identifies with or identifies oneself with are gods. The gods who are personified concepts are used as concepts." (p 21)
    • The "rule which linguists call 'repression of sense'" may make Egyptian thought look as though it lacks abstract ideas and metaphors (p 22)
    • Someone who's got rich off flax and linen might be called the "husband of Tait" (p 22)
    • The House of Life is a microcosm - a library whose books describe the whole world (p 24)
    • Gods and humans maintain cosmic balance through "exchange of gifts", in which "Man offers what he has produced" (sounds like one of those nature/culture things to me)
    • "The myths offer as it were key scenarios of typical difficulties and problems", and by identifying with them, people could connect with the divine and receive "consolation and guidance" (p 24 - 25). A familiar thing to me as a Pagan, and I'm sure to most religious people.
    • While we think in "causalities", the Egyptians thought in "homologies", and approach which allows multiple assumptions about the same thing to be "valid simultaneously" - "a multitude of convert angles of approach" to the "undescribable". (p 26) (te Velde remarks: "working out the relationships between gods… was an important and favourite task of Egyptian priests". :) (p 240)
    From te Velde Relations and Conflicts:
    • "The Asiatic goddess Astarte can be given citizenship or godhood in Egypt and can be adopted as daughter of Ptah [in spite of which] exotic peculiarities, such as riding naked upon a horse, a thing hardly done by Egyptian goddesses, are not denied her." (p 240)

    • Amun had a close, ancient, but "rather vague and undefined relationship" with Amaunet, his fellow Karnak deity. "In the course of the 16th Century B.C. the cult of the goddess Mut, who had already been worshipped for centuries in the little provincial town of Megen, was introduced into the capital." Mut is first Amun's daughter, then his wife, and they are inseparable from this point on. (pp 240-1)

    • Regarding variations of the Ennead: "Already in the Pyramid Texts the retiring figure of the goddess Nephthys is sometimes replaced by the goddess Neith" (p 242) Karnak's great ennead had fifteen gods – the nine Heliopolitans plus Montu, Tjenenet and Iunet, Horus, Hathor of Gebelein, and Sobek; the little ennead was Thoth, Harendotes, Wepwawet of the south, Wepwawet of the north, Sobek lord of the Iuntiu, Ptah-upon-his-great-throne, Ptah-at-the-head-of-the-gods, Anubis lord of Ta-djeser, Dedwen-at-the-head-of-Nubia, Dewenawi, Merimutef, and Horus' four sons. Abydos' ennead numbered nine: Amun, Mut, and Khonsu, Re, Shu, Tefnut, Geb, Nut, and Wepwawet; or seven: two Khnums,two Wepwawets, Thoth, Horus, and Harendotes; or twelve: Osiris, Harendotes, Isis, Nephthys, Min, Iunmutef, Re-Harakhty, Onuris, Tefnut, Get (Geb?), Thoth, and Hathor. (p 243) Untersuchungen zum Gotterkreis der Neunheit by Winifred Barta contains a list of eighty-four enneads! (p 244)

    Englund, Gertie. Gods as a Frame of Reference: On Thinking and Concepts of Thought in Ancient Egypt. Boreas 20 1991, pp 7-28.

    te Velde, Herman. "Relations and Conflicts between Egyptian Gods, particularly in the Divine Ennead of Heliopolis", in Struggles of Gods. Papers of the Groningen Work Group for the Study of the History of Religions. Berlin, New York : Mouton, 1984. pp 239-257.
    ikhet_sekhmet: (Butterfly hair)
    In her chapter for the Feminist Companion to the Bible, Lana Troy contrasts the Egyptian creation stories with the Biblical version of events. In the latter, gender only becomes "relevant" when human beings appear. In Egypt, however, says Troy, "the origin of all life, the source of both creators and creation, was not asexual, or presexual, but androgynous..." (p 239). (ETA: Englund remarks that the "absolutely homogenous" origin must contain "a potential heterogenity" to produce plurality; for the Egyptians, that heterogenity was the duality of gender, which was "only latent, only exist[ing] as a predisposition". (pp 20-21). I can't help thinking of the Big Bang - the tiny random flaws which gave rise to the large-scale structures of our universe, the asymmetry between matter and anti-matter, and most of all, the four forces which split apart from each other in those first fractions of a second.)

    For example: Nun, the Father of the Gods, is a vast watery container, a sort of uterus; Nut, possibly his female counterpart, is the equivalent heavenly body of water through which the sun barque travels to be reborn each morning. The male creator deity Atum masturbates, swallows his semen, and spits out his children Shu and Tefnut; his hand becomes hypostastized as a goddess in her own right, and his mouth plays the role of a womb. Atum's Eye is also a female hypostasis, his "active element", which can retrieve Shu and Tefnut and return them to him. te Velde remarks that this female aspect of Atum or re is "carried over to Tefnut", Eye of Re (p 249); he connects the Eye's retrieval of the twins to the story of the Distant goddess, in which Shu or another god must in turn retrieve the sulking Eye of Re. Troy points out that the eye is womblike, a container of water whose tears produce the human race (p 263). Even in the Theban creation, where the waters of Nun are the god's semen, his semen becomes personified as a goddess!

    OTOH, in the creation story from Esna, the creatrix Mehetweret appears to be solely female. Troy suggests this was conceivable to the Egyptians where male-only reproduction was harder to imagine. ETA: But Cooney - see below - quotes from an Esna hymn which describes Neith, aka Mehetweret, as "two-thirds male and one-third female". Also at Esna, Khnum not only "moulds" people, but also both begets and gives birth to them. (ETA: Englund: "All the gods of the Heliopolitan Ennead are hypostases of the androgynous Atum" (p 11).)

    To come back to Troy, while male and female are both needed for the creation, they're not equal partners. She remarks, "Just as male fertility is incidental in the Esna version of creation, at Thebes the feminine reproductive mode is largely subsumed as an attribute of the male creator." (p 258) But the female aspect of the creator can also act independently, for example, in the conflict between father and daughter when the Eye returns to discover she's been replaced (resolved by the creator placing her on his forehead as the uraeus). (p 265)

    One point which Troy makes which struck me as odd, however, was her suggestion that Seth and Nephthys "appear to reflect male and female characteristics in their most absolute form... The name Nephthys, in Egyptian Nbt-Hwt, 'Mistress of the House', suggests a personification of the womb", by parallel with Hathor's name, Hwt-Hr, "House of Horus", "referring to her role as his mother". But, as Troy notes, Set and Nephthys are childless (can you imagine how it might complicate the mythology if they weren't?!). Although later she is considered to be the mother of Anubis, surely Nephthys' most important role is as a sister, not a mother. te Velde points out that she is even "sometimes said to lack a vulva". (Pinch: "Perhaps because of her sham marriage, Nephthys is described in one of the Pyramid Texts [Utterance 534] as 'an imitation woman with no vagina.'" (p 171)) te Velde remarks that she "plays those parts in mythology that women without a husband filled in the Egyptian society, ie as a wailing-woman and nursemaid." (p 253) (ETA: Pyramid Text 1154 says of the king, "Isis has conceived (šsp) him, Nephthys has begotten (wtt) him."!)

    Anywho, Troy concludes by pointing out that gender is "an indissoluble link between the divine and mortal worlds", something humans share with the gods. (By contrast, in the Bible, gender is "the culmination of the creator's labours", which is also "elevating".)

    ETA: Bit more from my box o' photocopies. Kathlyn M. Cooney describes five Late Period / Ptolemaic bronze figurines of pantheistic deities, which combine not just human and animal elements, but male and female as well. "By combining numerous divine forms into a complex composite, these creative divinity figures incorporate as many magical and divine powers (b3w) as possible into one small statuette." Other than the creator gods, androgynous deities like this are rare (the ithyphallic Mut being one example). Cooney suggests such a figure combines "male potency for creation" with "female protection, as the catalyst and vessel for healing", and perhaps manifests the primal creator god "in visible form that is accessible to worshippers". (Another example would be Atum's parents in the Late Period Memphite Theology - Ptah-Nun, and Ptah-Naunet.)

    ETA: Set's birth was "the beginning of confusion (hnnw)." :) (te Velde, p 252)

    Cooney, Kathlyn M. Androgynous Bronze Figurines in Storage at the Los Angeles County Museum of Art. in D'Auria, Sue H. (ed). Servant of Mut : studies in honor of Richard A. Fazzini. Leiden, Boston, Brill, 2008. pp 63-69.

    Englund, Gertie. Gods as a Frame of Reference: On Thinking and Concepts of Thought in Ancient Egypt. Boreas 20 1991, pp 7-28.

    Pinch, Geraldine. Egyptian mythology : a guide to the gods, goddesses, and traditions of ancient Egypt. Oxford, New York, Oxford University Press, 2004.

    te Velde, Herman. "Relations and Conflicts between Egyptian Gods, particularly in the Divine Ennead of Heliopolis", in Struggles of Gods. Papers of the Groningen Work Group for the Study of the History of Religions. Berlin, New York : Mouton, 1984. pp 239-257.

    Troy, Lana. "Engendering Creation in Ancient Egypt: Still and Flowing Waters." in Brenner, Athalya and Carole Fontaine (eds). A Feminist Companion to Reading the Bible: approaches, methods and strategies (The Feminist Companion to the Bible, vol. 11). Sheffield, England, Sheffield Academic Press, 1997. pp 238-268.
    ikhet_sekhmet: (Horned God (?) :D)
    Caught my eye:

    • East wall of entrance passage, Group III, Middle Register: "T. The picture shows 'Ady, with the head of an ichneumon, upon a serpent. In front of him are two adorants, Nehepy and Ma'athuty. Above them is the sun-disk. Behind them is written: These gods are in this fashion, in the cavern of him who is ichneumon-like..." Man, I've got to find a picture of this. (p 46. Refers to Plates XXXII-XXXIII.) Aha! Macquarie has an electronic version of the second volume, with the plates.

    • East wall of entrance passage, Group VIII, line 128 (Lefébure, II, Pls. 46, 54): "O Nephthys whose head is hidden, whose soul breathes in her disk, whose corpse [is behind Osiris, goddess who hides herself], behold, I pass, my soul behind me, I light the dark Netherworld..." (p 60) [See also p 54: "This hidden one, her head is in darkness, and her legs are in darkness..."]

    • East wall of entrance passage, Group IX, Bottom Register: "AA. A female wolf-headed goddess standing over four female figures with their hands tied behind their backs."

    • Various fiery goddesses, eg p 49, 54, 56, 60 ("Kayt sharp of flame", lol).

    • Battiscombe Gunn is one of the best names I've ever heard.
    ETA: I'm quite mixed up about where all the different bits of Seti I's stuff are. But here's a handy map. It shows an Osiris chapel and some Osiris sanctuaries, as well as the Osireon itself, which is probably the source of some of my confusion. More as I unravel this.

    Frankfort, Henri. The Cenotaph of Seti I at Abydos (Part I: Texts). London, Offices of the Egypt Exploration Society, 1933.
    ikhet_sekhmet: (Default)
    Well waddaya know. That neglected goddess, Nephthys, did have a cult, at least in one place - Dakhleh, where she and Set were worshipped as the Mistress and the Lord of the Oasis.

    A small statue of a goddess found at Deir el-Haggar temple, wrecked by robbers intent on getting the gilding off, was tentatively identified as Nephthys - which would be interesting, since it's labelled "Eye of Re". I'd thought that only a certain constellation of goddesses were given that title - Sekhmet, Mut, Hathor, etc - but now I'm curious as to just how many goddesses the title is attested for (and at what times).

    The statue's the earliest attestation for Seth-worship at Dakhleh, probably dating from the 21st Dynasty. In the oases, Seth was most commonly represented by the falcon rather than the Seth-animal - like the falcon-headed Seth spearing Apophis at Hibis, there's another spearing a scorpion at Ismant el-Kharab. All this contrasts with the rest of Egypt, where Seth's cult was generally suppressed after the Twentieth Dynasty.

    ETA: in Seth: God of Confusion, te Velde notes that at Deir el-Haggar, "Vespasian offers flowers to Set and Nephthys" (p 116) and also that "there seems to have been a chapel of Nephthys" in Set's temple in Sepermeru (p 131).
    Kaper, Olaf E. "The Statue of Penbast: on the Cult of Set in the Dakhleh Oasis". in van Dijk, Jacobus (ed). Essays on Ancient Egypt in Honour of Herman te Velde. Groningen, Styx, 1997.
    te Velde, H. Seth, God of Confusion: A Study of His Role in Egyptian Mythology and Religion. Brill, Leiden, 1977.
    ikhet_sekhmet: (ankh-mi-re)
    Ohyes! I have found her:

    The goddess Nephthys depicted with the head of an ibis, one hand held to her chest

    That's from the New York Public Library's rich and marvellous Digital Gallery: it's a scan of the relevant page of Mariette's Dendérah. You can zoom in on the image, as I have here, and get more info under "Image Details" at the bottom.

    The goddess appears in the 2nd room of the north Chapel of Osiris. I think the caption says: "Words spoken by Nephthys, sister of the god", and then possibly "mortuary-priest of the gods"? Cauville has: "she 'embraces the divine relic in her arms'." (vol 118, p 170)

    Nephthys is sometimes identified with Seshat, as in Pyramid Text 616: "Nephthys has collected all your members for you in this her name of Seshat, Lady of Builders." Seshat is in turn often portrayed with Thoth. So I wonder if the ibis head is a way of showing this aspect of Nephthys: she's an architect, rebuilding Osiris' body like a house.

    (This is exactly the kind of thing I get a bee in my bonnet about, and then can't stop until I've tracked it down. %) Only one other ibis-headed goddess has popped up in my searches, at Kom Ombo - if she's for real, I haven't got anywhere near her. (ETA: Of course, what set me off on the search in the first place is the possibly female Thoth at Hibis - an enthroned, falcon-headed figure which Cruz-Uribe (p 6) takes to be female.)

    ETA: Here's that possible sighting of a female Thoth, from Hibis III, with Isis and Nephthys sitting behind her or him for comparison:

    Here's the whole entry from Hibis I: "'Thoth-..., great one in the sanctuary, daughter of Nut.' El-Banna, BIFAO 85 (1985): 163, no. 2, reads Dḥwty Ḥr '3 m ḥwr-'3, apparently taking this as a male figure. Collation gives no clues for the sign after the quail chick. The next sign if a falcon which I take as he determinative of the goddess. 'Daughter' is written s3. Female, falcon-headed figure seated on throne. Davies, Hibis III, p. 5, took as a male figure. A female 'Thoth' is not known to this author. The line at the ankles for the bottom of her dress is not on the drawing."
    Cauville, Sylvie. Le temple de Dendara: les chapelles osiriennes. Cairo, Institut Français d'Archéologie Orientale, 1997.
    Cruz-Uribe, Eugene. Hibis temple project, Vol 1: Translations, commentary, discussions and sign list. San Antonio, Texas, Van Siclen Books, 1988.
    Davies, Norman de Garis. The Temple of Hibis in El Khārgeh oasis, pt.3. The decoration. Metropolitan Museum of Art Egyptian Expedition, New York, 1953.
    Mariette, Auguste. Dendérah: description générale du grand temple de cette ville. Paris, A. Franck [and F. Vieweg], 1870-1880.


    ikhet_sekhmet: (Default)
    Plaything of Sekhmet

    September 2017

    S M T W T F S
         1 2
    101112 13141516


    RSS Atom

    Style Credit

    Expand Cut Tags

    No cut tags
    Page generated Sep. 22nd, 2017 01:03 am
    Powered by Dreamwidth Studios